![]() This was a source of conflict between father and son whose interests leaned more toward artistic pursuits. The narration additionally fills us in that dad (who Kim refers to by his given name, Greg) was a physical sort, a tennis player, fisherman, polo player, hunter. Kim’s father’s portrait hangs over the fireplace, an older man in nautical attire. In voiceover from Forsythe, we hear that Kim isn’t sure why he returned home, only that he had a premonition that something wasn’t right. Kim won’t have it and heads home where no one is there. A good scene that sets the episode’s tone, piquing our curiosity as to what’s going on. Shortly after exiting a cab in the town center, he encounters a familiar face, Doug Irwin (George MacReady), who is surprised to see Kim but is obviously holding something back as he tries to deter Kim from going straight to his father’s house and redirect him to his law office where Kim can phone ahead to prepare the family for his arrival. Kim Stanger (John Forsythe) flies back to his familial hometown after a period of four years away studying advanced composition at the Sorbonne in Paris. “Premonition” is reviewed here.Īn engrossing episode from start to finish with an ending that I didn’t see coming at all, this is the first of 44 series episodes directed by Robert Stevens, who handles his first outing with the economical, workmanlike touch he would display throughout the series. ![]() John Forsythe as a man who returns unexpectedly to his family home in an episode with a great twist ending, a hallmark of Alfred Hitchcock Presents. ![]()
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